Sandra Oh makes her London stage debut in the National Theatre’s new, gender-flipped adaptation of Molière’s 1666 comedy, The Misanthrope. In the production, Oh plays Alice, a sharp, acerbic bestselling novelist who offers advice to a young writer. Critics describe the story as being updated for a modern audience, with changes that include an Americanised setting and a conversational, debate-driven approach to themes such as writing, relationships, and how people choose to live. Several reviews highlight that the adaptation is ambitious and that Oh brings force and energy to the role, including a strong presence and comedic bite. However, multiple outlets differ in their assessment of the overall execution. While some reviewers acknowledge the production’s drive and moments of theatrical impact, others argue that the satire can lose its edge and the script may feel overstuffed, undermining the balance between comic material and drama. Overall, the coverage portrays a high-profile reinterpretation that uses gender reversal and contemporary dialogue, with varied opinion on whether it fully delivers on its aims.