Ahead of the premiere of “The Odyssey,” director Christopher Nolan discusses his preferred large-format movie experiences, including IMAX, 70mm, and Dolby presentations. Nolan says he has been using IMAX cameras since “The Dark Knight,” but he frames “The Odyssey” as a milestone for his work with the format. Multiple outlets report that the film is the first feature Nolan has shot entirely on IMAX film, fulfilling what he describes as a long-held ambition. The coverage also includes viewing guidance for audiences, with references to where viewers may be able to watch the film in different premium formats such as IMAX or 70mm, reflecting differences in available theaters and screening options. While the outlets focus primarily on Nolan’s format preferences and the significance of the production choice, they present a consistent core detail: “The Odyssey” is produced in a way that is closely tied to IMAX film capture, and the director’s comments are intended to help audiences select the screening experience that best matches the intended presentation.