Wham! 10 Days in China is a documentary that revisits the British pop duo’s 1985 journey to perform in mainland China, presenting the trip as both a pop-music milestone and a politically charged cultural moment. Across accounts, the film is described as chronicling how George Michael and Andrew Ridgeley and their team sought a breakthrough in the United States through a historic first: Wham! becomes the first Western pop act of its kind to play mainland China, a move intended to generate global publicity. The New York Times characterizes the documentary as pop music history that includes a “secret goal,” while The Guardian frames it as a collision of pop stardom and communist-era politics, alongside attention to the filmmaker behind the project. Sources also point to director Lindsay Anderson’s involvement, describing the documentary as a re-edit of earlier work connected to Anderson, who is portrayed as taking on the project for reasons including financial constraints. Together, the reviews suggest the film uses archival material and context to show how the performances operated on multiple levels—entertainment, promotion, and international messaging—while documenting the uncertainty and significance of cultural openness during that period.