Multiple reports describe Meena Kumari’s last screen work as involving a final shoot for the film “Gomti Ke Kinare,” presented as her actual farewell rather than her widely remembered swansong “Pakeezah.” The accounts characterize “Pakeezah” as remaining her most legendary closing project, but they focus on the last on-camera moments from “Gomti Ke Kinare” as the more direct end to her working life. Both versions of the coverage frame the final shoot as particularly poignant, describing Meena Kumari facing the camera one last time despite personal hardship, and portraying her as appearing to maintain a composed, smiling expression during the final recording. The sources also emphasize the tone and setting of the last scene, describing it as humble and quiet, with a sense of a final goodbye to the camera. Overall, the reports consistently connect her reported farewell to “Gomti Ke Kinare,” while still acknowledging “Pakeezah” as the more famous terminal film.