Christopher Stevens publishes a review of “Very Modern Odyssey,” starring Richard E. Grant. In the piece, Stevens frames the film as a travelogue, highlighting Grant’s presence and describing him as an engaging guide for audiences. The review compares the viewing experience to classic European travel programming, invoking Michael Portillo’s well-known on-screen persona and his use of railway references and attire associated with railway travel. Stevens’ description emphasizes the visual and observational character of the journey, presenting Grant as someone who reacts enthusiastically to what he sees. The focus of the write-up is on Grant’s role and the overall tone of the travel-themed story rather than on plot specifics or production details. Across the provided versions, the central thrust remains that Grant performs as a “delightful travel companion,” with the experience designed to feel like accompanying a knowledgeable figure through European settings.