Multiple reviews describe “Paper Tiger” as James Gray’s operatically intense crime drama set in mid-1980s Queens, New York, centering on two brothers drawn into a dangerous Russian mafia scheme that escalates into a terrifying threat to their families. The film stars Adam Driver, Scarlett Johansson and Miles Teller as members of or connected to a tightly knit community shaped by loyalty, betrayal, and coded relationships within both the Russian-American milieu and the NYPD world. Several outlets emphasize Gray’s distinctive cinematic atmosphere—described in terms of mythic scale, tragedy, and a mournful, lived-in visual palette—alongside the director’s attention to family dynamics, including scenes involving family meals and the pressures of protecting loved ones. Performances are highlighted across sources, with particular praise for Driver, Johansson and Teller. Deadline and The Hollywood Reporter characterize the plot as a semi-fictionalized return to Gray’s family life and a brush with the Russian mob. IndieWire and The Guardian also frame the story as both personal and sweepingly mythic. Variety notes that while Gray’s direction is skilled, the film can struggle with plausibility as it blends grandiosity with plot developments. Overall reactions are strongly positive, with attention to both craft and character-driven stakes.
James Gray’s ‘Paper Tiger’ at Cannes follows brothers entangled with the Russian mob
Multiple reviews describe “Paper Tiger” as James Gray’s operatically intense crime drama set in mid-1980s Queens, New York, centering on two brothers drawn into a dangerous Russian mafia scheme that e...
- The film is set in mid-1980s Queens, New York.
- It follows two brothers who pursue the American Dream but become entangled with a Russian mafia scheme.
- The central cast includes Adam Driver, Scarlett Johansson and Miles Teller.
- Reviews describe the story as family-focused, exploring loyalty and betrayal under pressure.
- Critics broadly praise performances and atmosphere, with at least one reviewer citing implausibility in certain plot developments.
In James Gray's Cannes hit about two brothers falling out with the Russian mafia, Teller plays against type as a sensitive family man opposite Adam Driver and Scarlett Johansson.
3 months agoJames Gray’s sixth film at the Cannes Film Festival, Paper Tiger, drew a ten-minute standing ovation last night following its world premiere at the Grand Theatre Lumiere. The movie, starring Scarlett Johansson, Adam Driver and Miles Teller, follows two brothers who pursue the American Dream but get entangled in a dangerous Russian mafia scheme that terrorizes their family. Bonds […]
3 months agoThe Marriage Story stars team up with Miles Teller for this sombre and impressive story of shady dealings in 80s New YorkWith this muscular, heartfelt and sombre new picture set in 1980s New York, James Gray again resurrects the spirit of Elia Kazan in a blue-collar tragedy of fraternal loyalty and betrayal; a movie about men and their horror of appearing weak and failing to protect their families. Paper Tiger has that distinctive Gray colour palette: a perpetual late-afternoon autumn of subdued ochres, reds and browns. And there are his keynote family supper scenes, the characteristic presence of the Russian community in New York, and the potent, tribal codes of the NYPD: part mob, part trade union, part masonic clan whose membership responsibilities and perks go on well after retirement.Adam Driver, Scarlett Johansson and Miles Teller give weighted, intelligent performances at the film’s centre: all three characters, in their different ways, have Springsteenian hungry hearts. Teller is Irwin Pearl, a modest, working-class guy who is a qualified engineer in Queens, doing well at his trade but still concerned about paying for his teen sons’ – Scott (Gavin Goudey) and Benjamin (Roman Engel) – college education. He’s married to Hester, played with forthright authority by Johansson, sporting frizzy hair and glasses that make her look like one of the Golden Girls. Continue reading...
3 months agoCannes: Like all of James Gray's best films, "Paper Tiger" is both sweepingly mythic and hauntingly personal all at once.
3 months agoYou can feel James Gray wanting to will something like a Lumet version of Greek tragedy into the tale of these brothers, and of Irwin’s blind loyalty to Gary’s huckster-psycho moves. But even the scene-to-scene skill of Gray’s direction can’t stop the movie from turning into a mixture of the grandiose and the implausible.
3 months agoJames Gray’s new film, Paper Tiger, opens with the following quote from father of ancient Greek tragedy, Aeschylus (Agamemnon): Let there be wealth without tears; enough for the wise man who will ask no further. That is the ominous warning we are about to enter a world with characters who may not realize the true […]
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