“Strawberries” is presented by critics as a drama that follows Moroccan migrant women working in Spain’s agricultural industry and portrays how they are exploited within a broader labor system. IndieWire describes director Laila Marrakchi as drawing from real stories of Moroccan immigrants to construct a pointed account of how migrant workers are denied voice and protections. Variety similarly characterizes the film as focusing on Moroccan women in Spain’s farming sector, arguing that their exploitation is enabled by a callous, systemic structure.
Across reviews, the film’s central emphasis is on labor abuse and the power imbalance between workers and the structures controlling them. While the two sources align on the film’s subject matter and intent—highlighting indignities faced by migrant workers in the Global North—they differ in how they frame the overall execution. Variety characterizes the work as “potent but flawed,” indicating that, although it strongly engages with exploitation and oppression, it may not fully satisfy as a finished drama. IndieWire stresses the film’s damning approach grounded in real-life accounts, focusing on the perspective of a young actress as a primary lens.
