An exhibition titled “Tap and Tapish” features the ceramic works of artist Vipul Kumar at Bikaner House. The display presents multiple pieces built around the processes of making art in clay, with emphasis on transformation through firing.

The outlets describe Kumar’s artistic background and evolution, noting that he has moved from stone carving to working with clay. This shift is presented as central to the exhibition’s character, allowing him to combine abstraction with recognizable, familiar forms. While the coverage centers on the works themselves and the role of the kiln, it also frames the show as a reflection of practice and change in the artist’s medium over time.

Overall, the coverage aligns on the venue, the exhibition title, and Kumar’s focus on process and material transformation, with no major differences in reported details or interpretation beyond the emphasis on his progression from stone to clay.