Jonathan Anderson arrives at Paris Couture Week with attention still focused on a Dior wedding dress he made for Taylor Swift, which has not been publicly revealed. According to reports, Anderson avoids discussing details of the garment, describing it as an honour and an emotional project, and notes that information will be released “in due course.” He also says he enjoys working with Swift and that they became friends.
Instead of centring his presentation on the unshared wedding gown, Anderson directs focus to a high-concept Dior collection inspired by sculptor Lynda Benglis. The show features sculptural, liquefied couture silhouettes and a staged setting: a wooden pavilion is built in the gardens of the Rodin Museum and the front row is accompanied by the flutter of paper fans. The designs include metallic and shimmering elements, such as silver-foiled petal effects that resemble molten surfaces, and tailored pieces with flowing, draped finishes. Across coverage, Anderson’s collection is described as re-energising and couture-forward, using heat, texture and form to create a distinct sculptural atmosphere on the catwalk.
