Chanel presents its second couture show under designer Matthieu Blazy with a staged environment at Paris’s Grand Palais. Multiple outlets describe the salon setting as a dark fairy-tale tableau, where the space is transformed into a “garden gone wrong.” Reported visual elements include giant beanstalks climbing up to the ceiling and large flowers that appear overly vivid and out of place. The installations create an impression that the garden has become unsafe or overgrown, contributing to an overall gothic, whimsical mood rather than a conventional couture backdrop. The coverage frames the presentation as an extension of Blazy’s creative direction for Chanel’s couture line, emphasizing set design and atmosphere as central parts of the show experience. Both sources focus on the transformed Grand Palais interior and the distinctive plant-based spectacle, with no conflicting details about the venue, the theme, or the designer’s role.
Chanel stages dark fairy-tale set at Matthieu Blazy’s second couture show
Chanel presents its second couture show under designer Matthieu Blazy with a staged environment at Paris’s Grand Palais. Multiple outlets describe the salon setting as a dark fairy-tale tableau, where...
- Chanel holds its second couture show at Paris’s Grand Palais.
- Matthieu Blazy designs the show.
- The set is described as a dark fairy-tale or “garden gone wrong.”
- The installation includes giant beanstalks reaching the ceiling.
- The setting features oversized flowers with a vivid, overstated look.
Inside the Grand Palais in Paris, the Chanel salon had been swallowed by a garden gone wrong: giant beanstalks climbing to the ceiling and huge flowers blooming a little too brightly to be safe
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