Multiple outlets review the film *Colours of Time*, which moves between present-day Paris and the early period of Impressionism. The articles describe the film’s approach as blending time periods to explore how people respond to art and creative expression. Reviewers note that the film evokes strong audience reactions, including gasps of disgust, linked to how characters depict or handle artworks and artistic traditions. The criticism appears to focus on the film’s unsettling scenes and its deliberate challenge to established ideas about how Impressionism should be presented or treated. While the sources vary in emphasis, they agree that the narrative structure—shifting between modern Paris and the dawn of Impressionism—is central to the film’s impact. Overall, the coverage frames the film as provocative and designed to prompt discomfort, rather than as a conventional historical drama. The outlets also highlight that the title’s theme points to continuing tensions between artistic innovation and what viewers see as acceptable or respectful treatment of art.