Multiple outlets discuss how deaf audiences are still treated as an afterthought in theatre and cinema, with accessibility falling short of true inclusion. The Conversation focuses on what inclusion requires beyond physical access: it emphasizes that deaf people should be able to attend performances with the same level of spontaneity and freedom as hearing audiences, rather than relying on limited or exceptional accommodations.
Phys.org frames the discussion by explaining that “deaf” is used as an umbrella term. The article states that this grouping can include Deaf (with a capital D), deaf (a lower-case usage), hard of hearing, hearing-impaired, deafened people, and people with hearing loss. By defining the scope of the audience needs covered by the term, the piece highlights that accessibility challenges and solutions may vary across different groups within the broader deaf community.
Together, the sources point to continued shortcomings in how live and screen performances accommodate people with different hearing profiles and reinforce the need for more consistent, inclusive access.
